Elisa Rusca
curator and writer
Selection of published texts
2023
"Werner Bischof: E colore fu", in Kunstbulletin, May 2023
2022
"Marie Matusz: Labirinti di filastroccate", in Kunstbulletin, October 2022
"Lukas Hoffmann: Evergreen", in Kunstbulletin, September 2022
"Un monde à guérir : un style humanitaire?", Un monde à guérir. 160 de photographie à travers les collections de la Croix-Rouge et du Croissant-Rouge, Paris: Textuel, 2022.
"Salvatore Vitale: Decompressed Prism", in Kunstbulletin, May 2022
2021
L'Anguilla, LUMINANZA writing grant, 2021
"Marc Bauer - Post-Storia, trascendenza e manipolazione" in Kunstbulletin, June 2021.
2020
“Infiltrate. Replace. Replicate.”, in counterfield #1, Goldsmiths, University of London, November 2020.
“Artissima Unplugged – Le fiere d’arte ai tempi della pandemia”, in Kunstbulletin, December 2020.
“Studio Berlin: Domani e domani e domani”, in Kunstbulletin November 2020.
The Kids Aren’t Alright. New Positions in Painting., la rada limited editions of 100, 2020.
Nina Haab. Il molteplice ridiventa uno, Roma: VersoL'Arte, 2020.
2019
"NeuralRope#1: Nei meandri di un cervello artificiale", in Kunstbulletin, October 2019.
Georgemag: "Visite guidée: 58 Biennale de Venise"
"Luca Frei - Il Bauhaus tra Weimar, l'India e Tokyo", in Kunstbulletin, May 2019.
2018
"Mapping Bridges. The parrot, the lady and the camera", Malleus Maleficarum – Virginie Rebetez, Amsterdam: Metabooks, 2018.
Amnesie – Nina Haab, ex. cat., Corzoneso: Fondazione Archivio Fotografico Roberto Donetta, 2018.
Into the MU. Nathan Baker, Myriam El Haïk, Ciarán Walsh, Dusan Zahoransky, ex. cat, Bratislava: LAB Kunsthalle Bratislava, 2018.
“Living the consensus-hallucination: a short history of cyber art”, En los margenes de la ciudad, de l'arte y de la critica, under the direction of Anna Biedermann, Francisco Javier Lazaro Sebastian, Fernando Sanz Ferreruela, Zaragoza: Universidad de Zaragoza, 2018.
2017
Plein Feux! La Collection d'art de la Ville de Lausanne, edited by Philippe Kaenel and Béatrice Béguin, Lausanne: Arts&Fiction, 2017.
Georgemag: “Visite guidée: 57 Biennale de Venise”
“Homo Selfitor”, Miroir Miroir, edited by Marco Costantini, Lausanne: mudac, Musée d'art et design Lausanne, 2017.
2016
“Into the black”, Virginie Rebetez - Out of the Blue, co-edited with Frédérique Destribats and Simon Karlstetter, Amsterdam: Metabooks, 2016.
“Tumbling down the rabbit hole”, transcript of the international conference Art Criticism 2.0 at Research Center of the Academy of Visual Arts in Prague and Vera Jirousová Award, Prague: Czech Republic, 2016.
2015
New Dictionary of Photography, edited by Natalie Herschdorfer, New York: Thames&Hudson, 2015.
2014
Georgemag at Paris Photo: “La Pomme d'Adam. Focus sur Paz Errazuriz”
”What's Next? Considerations about art criticism, social media and Internet freedom”, Art Criticism in a Labyrinth, Acts of the XLVII International Congress of AICA, Seoul: AICA Korea, 2014.
Oblio, edited by Elisa Rusca, with texts by Jean-François Démonet, Rebecca Howard, Charlotte « Lalou » Rousseau, Elisa Rusca, Craig Schuftan, Vincent Surmont, Berlin: Broken Dimanche Press, 2014.
2012
"Dans les coulisses du Théâtre du Crime : réappropriation muséale de la photographie forensique", in Médiatiser la
police. Policer les média. Force publique, visibilité et pouvoir, sous la direction de Michaël Meyer, Lausanne : Éditions Antipodes, 2012
2011
Hans Steiner. Chroniques de la vie moderne, edited by Daniel Girardin and Christophe Blaser, Lausanne : Éditions Photosynthèses, 2011.
2010
Face au mur. Papiers peints contemporains, edited by Marco Costantini, Lausanne : Infolio, 2010.
Gianni Poretti : Vetro che canta, ex. cat, Mendrisio: Stucchi, 2010.