Elisa Rusca

​2024

William A.Ewing, Elisa Rusca, Human.Kind., Thames & Hudson, London / New York, 2024.

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2023

"Werner Bischof: E colore fu", in Kunstbulletin, May 2023

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2022

"Marie Matusz: Labirinti di filastroccate", in Kunstbulletin, October 2022

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"Lukas Hoffmann: Evergreen", in Kunstbulletin, September 2022

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"Un monde à guérir : un style humanitaire?", Un monde à guérir. 160 de photographie à travers les collections de la Croix-Rouge et du Croissant-Rouge, Paris: Textuel, 2022.

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"Salvatore Vitale: Decompressed Prism", in Kunstbulletin, May 2022

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2021

L'Anguilla, LUMINANZA writing grant, 2021

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"Marc Bauer - Post-Storia, trascendenza e manipolazione" in Kunstbulletin, June 2021.

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2020

“Infiltrate. Replace. Replicate.”, in counterfield #1, Goldsmiths, University of London, November 2020.

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“Artissima Unplugged – Le fiere d’arte ai tempi della pandemia”, in Kunstbulletin, December 2020.

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“Studio Berlin: Domani e domani e domani”, in Kunstbulletin November 2020.

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The Kids Aren’t Alright. New Positions in Painting., la rada limited editions of 100, 2020.

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Nina Haab. Il molteplice ridiventa uno, Roma: VersoL'Arte, 2020.

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2019

"NeuralRope#1: Nei meandri di un cervello artificiale", in Kunstbulletin, October 2019.

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Georgemag: "Visite guidée: 58 Biennale de Venise"

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"Luca Frei - Il Bauhaus tra Weimar, l'India e Tokyo", in Kunstbulletin, May 2019.

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2018

"Mapping Bridges. The parrot, the lady and the camera", Malleus Maleficarum – Virginie Rebetez, Amsterdam: Metabooks, 2018.

 

Amnesie – Nina Haab, ex. cat., Corzoneso: Fondazione Archivio Fotografico Roberto Donetta, 2018.

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Into the MU. Nathan Baker, Myriam El Haïk, Ciarán Walsh, Dusan Zahoransky, ex. cat, Bratislava: LAB Kunsthalle Bratislava, 2018.

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“Living the consensus-hallucination: a short history of cyber art”, En los margenes de la ciudad, de l'arte y de la critica, under the direction of Anna Biedermann, Francisco Javier Lazaro Sebastian, Fernando Sanz Ferreruela, Zaragoza: Universidad de Zaragoza, 2018.

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2017

Plein Feux! La Collection d'art de la Ville de Lausanne, edited by Philippe Kaenel and Béatrice Béguin, Lausanne: Arts&Fiction, 2017.

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Georgemag: “Visite guidée: 57 Biennale de Venise”

 

“Homo Selfitor”, Miroir Miroir, edited by Marco Costantini, Lausanne: mudac, Musée d'art et design Lausanne, 2017.

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2016

“Into the black”, Virginie Rebetez - Out of the Blue, co-edited with Frédérique Destribats and Simon Karlstetter, Amsterdam: Metabooks, 2016.

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“Tumbling down the rabbit hole”, transcript of the international conference Art Criticism 2.0 at Research Center of the Academy of Visual Arts in Prague and Vera Jirousová Award, Prague: Czech Republic, 2016.

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2015

New Dictionary of Photography, edited by Natalie Herschdorfer, New York: Thames&Hudson, 2015.

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2014

Georgemag at Paris Photo: “La Pomme d'Adam. Focus sur Paz Errazuriz”

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”What's Next? Considerations about art criticism, social media and Internet freedom”, Art Criticism in a Labyrinth, Acts of the XLVII International Congress of AICA, Seoul: AICA Korea, 2014.

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Oblio, edited by Elisa Rusca, with texts by Jean-François Démonet, Rebecca Howard, Charlotte « Lalou » Rousseau, Elisa Rusca, Craig Schuftan, Vincent Surmont, Berlin: Broken Dimanche Press, 2014.

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2012

"Dans les coulisses du Théâtre du Crime : réappropriation muséale de la photographie forensique", in Médiatiser la

police. Policer les média. Force publique, visibilité et pouvoir, sous la direction de Michaël Meyer, Lausanne : Éditions Antipodes, 2012

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2011

Hans Steiner. Chroniques de la vie moderne, edited by Daniel Girardin and Christophe Blaser, Lausanne : Éditions Photosynthèses, 2011.

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2010

Face au mur. Papiers peints contemporains, edited by Marco Costantini, Lausanne : Infolio, 2010.

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Gianni Poretti : Vetro che canta, ex. cat, Mendrisio: Stucchi, 2010.

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